Though in our eyes, Ponyo lacks a bit of the magic that we felt in the rest of Miyazaki’s work.ġ0. This film is a visual treat, and is a compelling watch for both kids and adults alike. Ponyo is a sweet and heartwarming fantasy film that can be seen as Miyazaki’s unique take on The Little Mermaid.
One of Howl’s frequent customers, she’s a fan of magic.Ĭindy Davis Hewitt, Donald H.So, let’s begin! 11. Sophie’s mother, who also owns the hat shop. She was once Howl’s master, and has much influence in the Royal Palace.Ī scarecrow with a turnip for a head that Sophie saves in the Wastes, and wanting to return the favor, he follows her around.Īn odd dog who follows Sophie around. She had once served at the Royal Palace in Kingsbury, but was sent away and now lives in the Wastes. He does not have a family, and lives in the moving castle, and deals with the people who come to order potions.Ī witch who wants to pursue Howl. Making a deal with Sophie, he says that if Sophie breaks the contract, he will turn her into her normal self. He is the one moving the castle, and is bound on the fireplace by a contract he made with Howl. Howl’s fire demon, who also holds Howl’s heart. He spends the rest of his days amusing himself.
Going by the names Jenkins, Pendragon, and of course Howl, he doesn’t respond to the calls of the royal palace, though he possesses great powers. The handsome yet mysterious master of the moving castle. After moving into Howl’s castle, her love for him makes her turn young at certain times. And the Witch of the Waste, jealous of their friendship, casts a spell on Sophie, turning her into a 90-year-old woman. Starting out with not knowing what to do with her young life, she befriends Howl. I won’t go so far as to proclaim that this is the Best! Ghibli! Ever! – but this is a visually spectacular treat that shows Miyazaki and Studio Ghibli are still chugging along.Įldest daughter of the Hatters’ family. These characters are both easily identifiable in the roles they fill, while charmingly original in the flair they bring to those roles. Sophie is your vintage vulnerable protagonist, Howl is the brooding guy with a heart of gold, Calcifer is the spastic sidekick, Markl is the curious assistant, the Witch is evil but not as cruel as you would think. The characters are more or less stereotypical, yet their physical appearances and interactions with each other ensure a unique feel to it all. In addition to the beautiful colors, the strong and wonderfully diverse cast of characters is this film’s greatest strength. The storyline is vintage Studio Ghibli, weaving normal settings with magical elements to create a hybrid world where you know some of this stuff is implausible in reality, but you could not care less because of this amazing imaginative world that the filmmakers have created. This encounter sets off a long chain of events and encounters, as Sophie encounters a witch (whose curse on Sophie ignites the rest of the film), a talking flame, an apprentice, a scarecrow with a turnip head and of course, the enormous moving castle.
Though the title suggests otherwise, Howl’s is really about Sophie, a young woman working in a hat shop who encounters a mysteriously handsome stranger in the streets one day. Yes, the mood for the most part is grim throughout the movie. It can’t be underestimated how the wide range of colors used in this film really help things stand out even more and accentuate the fantastical aspects of this film. Studio Ghibli shows no signs of slowing down When it comes to creating gorgeous panoramic scenes, diverse character designs and finishing things off with a flourish when the colors are applied. What strikes me about Howl’s Moving Castle is just how colorful it is. While computer animation is kicking hand drawings to the curb in the U.S., it’s nice to see that the classical animation form still thrives in Japan.